Lori Daniels demonstrates going from a rim delay to a center delay. This is a critical skill that marks a new level of nail delay control in one’s game. It is used all the time since the disc may come in at and any angle. It is also used if center control is lost. As this skill improves so will center control and eventually you’ll be able to set and angle you want.
Here Lori uses a technique swooping down and then lifting upwards. As the disc travels up push across at a right angle to the center. This will cause the disc to tilt and flatten outs. As it flattens spiral your nail in towards the center and gain center delay control. For an in-depth written description of this skill, check out this article I wrote back in the 90s.
Ryan Young teaches us how to set the disc from a rim delay. The goal of a set is to put the disc up into the air in a position that leads into the next trick. Here Ryan demonstrates using the rim delay technique to do this. First, consider the ideal placement of the set. That is, nose away from you at 12 o’clock. This allows for easier catching. Now, take the disc on a rim delay. Begin a swooping motion that goes down and then up. The goal is to time the upward motion so that the disc is sent into the air with the nose at 12 o’clock. As the disc rotates around, pull in your elbow to keep the disc from running into it. Just before the nose is in the right place end the swoop by pushing up a little harder. The goal is to propel the disc into the air. Congratulations, you have just used a rim delay to make the perfect set for a catch.
Ryan Young gives us a great practice technique for the rim delay. Basically, try to keep the disc in the same location in front of you while keeping the disc sliding on the rim, on your finger nail. To do this, rotate your hand in a circle the same direction as the disc is spinning. Also, move your wrist and finger so the disc does not touch your skin, only your nail. Lastly, move your elbow and other body parts out of the way so the disc will continue to rotate freely.
In this trick, you nail delay the disc on the outside of the rim. The only more difficult nail move I can imagine is a rim delay on the top lip of the disc. Anyhow, the wind can be a key factor so be sure to face the wind before you start. Then give yourself a ton of spin. Rim delay the disc so the nose is up into the wind. With your other hand put three fingers together so the finger in the center is slightly lower than the other two. Now place your nails against the outer rim. The disc should ride in the grove created by your fingers. Try to balance it there and chase after it if it begins to fall. Note that your nails will be between 6 and 7 for clock or 6 and 5 for counter.
Once you feel comfortable with this, try landing the outer rim delay from an airbrush or off of an skid or other restricted angled set. If you can pull that off you will be one of maybe five people in the world who can, and that deserves a 10 on anyones judging sheet.
By the way, does anyone know if this move has a more official name?
In this video, Matt Gauthier teaches how to do a rim delay.
A rim delay is a form of nail delay, or spinning the frisbee on your finger. When most people think of the delay, they think of the frisbee balanced in the center on their finger nail. A rim delay is different. Instead, the inside rim of the frisbee is balanced against the nail. Though a rim delay does take practice to master, it can be faster to learn that the center nail delay. Yet when it is mastered, it provides an enormous depth of tricks and control over the flight of the frisbee. It is truly one of the fundamental skills of freestyle frisbee beyond throw and catch. Check the video for an indepth tutorial on mastering this skill.
Ryan Young demonstrates the Under the Leg nail delaypull directly into a set. With clock spin, start with a center delay. Set it up flat a few inches. Then reach your right hand under the inside of your right leg. Aim for about 9 o’clock on the rim. As the disc lands on your nail, pull it under your leg using the rim. This will cause the disc to pivot on a rim delay for a fraction of a second. Rim swoop the disc to your right side and set it back into the air. Timing here is key. The longer and / or faster the swoop, the steeper the set will be. So, you can set it perfectly flat, or you can set it on a steep angle. This set is very useful for going into other restricted delay pulls, spins, chest rolls, or catches as Ryan demonstrates.
Lisa Hunrichs demonstrates a nice freestyle frisbee combo; the Behind the Back (BTB) rim swoop to a body roll (chest roll). This is a nice combo because the two tricks (BTB swoop and body roll) are performed consecutively.
In this video I talk about the basics of a flat nail delay and a rim delay.
In Freestyle Frisbee, a Delay is when the Frisbee is kept spinning on one’s finger nail. This can be done either in the center of the Frisbee on in the rim of the Frisbee.
Most people want to learn the Center Delay immediately. However, it can take many hours of practice to get it down.
The way I learned was by starting with the Rim Delay. This kept me from getting frustrated by not mastering the Center Delay right away. I learned to pass the disc under my legs and behind my back, all with a rim delay.
Over time, I began to understand how the disc progressed naturally in a circle and how to control it better. And then, one day I could keep it in the center.
So, don’t overlook the rim delay as you’re learning new tricks.