Category: Learn to Jam

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Digitronic Skid

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Here I demonstrate the digitronic skid, sometimes called the “skididge”.

With clock spin, start by getting the disc on a center, invert delay on your left hand. Then, let it tip to the rim. As the disc drags toward your wrist twist your upper body and shoulder to the right. As you reach your twisting limit kick you right leg up. As you leg reaches its max height, push your arm left to propell the disc under your lifted leg. Aim towards your calf or ankle. Often, my wrist or lower for arm will run into my knee. This should send the disc under your leg with enough force to reach a partner. Or, in a good wind the disc will go out and come back to you for another restricted, against reception.

This move is both an against the spin rim shoot and a digitronic (cross body, inverted hand) maneuver.

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Alien Birth Ritual

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Matt Gauthier demonstrates how to do the Alien Birth Ritual. This move has become legend because it has an awesome name and because very few people can do it. In fact, very few people can even describe it.

It starts with a birth. However, you pivot on the “birthing leg” to extend the against the spin pull. Then you set it up and immediately pull a juice.

It took Matt two tries to do it for the video…hence the cut.

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Variations on an Under the Leg Catch

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Here I describe various types of under the leg catches.

In one version you reach your arm under you leg to catch the disc.

In another version you swing your leg over the disc so that the disc travels under your leg while it is in flight. Then you catch it. James Wiseman would say this is technically a “the” catch since your hand is not restricted and it is not blind. However, I believe that the body mechanics and timing involved make this catch more difficult that the previous one.

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Piccolo catch

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Lisa demonstrates a little catch called the Piccolo.

This catch is a variation of the behind the head catch. It’s called a Piccolo because you grab it with two hands, similar to how you would hold a flute or piccolo when playing.

This catch is actually blind because as you spin into it you turn your gaze away from the disc.

To catch it, set the disc up flat over one shoulder. Then watch it as long as possible as you turn away from it. As the opposite shoulder passes under the disc, grab it with both hands.

Making the Piccolo sound is optional, but will gain you bonus points :-).

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Inverted Nail delay

Video

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[youtube=https://www.youtube.com/watch?v=eIs72P3c5P0&rel=0]

Here I describe how to do an inverted nail delay. The inverted hand position is where you twist your wrist so that your palm and elbow are facing up. This arm position is considered a restriction in freestyle frisbee because it reduces the movement of you elbow.

So, to get center delay control when in this position, you must move your whole body to follow the disc while keeping your arm and hand locked in place.

With clock spin, the natural rotation of the disc will cause it to turn into your wrist so you must be quick to move and keep it in the center.

On your right hand, with clock spin the disc will fall and rotate under your arm pit. It’s easy to allow this to turn into a with-the-spin crank. Don’t let it. Force the disc back to the center by rotating your body.

Once you’ve mastered this delay position, try setting it or taking it under your leg while in this position. It’s a double restriction!

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Invert Backside 50 50 Body Roll

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Matt Gauthier explains the Invert Backside 50 50 body roll.

“50 50” comes from the fact the its uses only 1 arm, or only 50% of what a normal body roll would use. It’s “invert” because the trick is started with your back facing the wind. And it’s “backside” because it goes behind your head, like a back roll.

This trick is one of the more advanced body rolls. I can hardly describe it so watch to video to see how it’s done.

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Variations on a Figure Four Set

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Lisa Hunrichs demonstrates different types of figure four under the leg (UTL) sets: either setting flat from a center delay or setting on an angle using a rim delay.

While both of these tricks are challenging, there is certainly a higher level of center delay mastery required for the flat set. Then again, using the rim set can allow for consecutive tricks like going straight into a chest roll as Lisa demonstrates.